Michail Michailov presents the modular series Dust to Dust, previously exhibited at the Bulgarian Pavilion at the 2022 Venice Biennale. Often unnoticed vestiges of time, like dust, hair, marks, and stains, challenge us to consider their value and existence. Like the ceiling fresco in the Baroque Carlone Hall, his colored pencil drawings are based on the illusionist technique of trompe-l'œil.
Though Max Oppenheimer’s reputation has dwindled today he was once a pivotal member of the Austrian avant-garde before he made his mark in Berlin. The influence of Cubism is evident in early works like The Scourging (1913), with its murky palette and writhing mass of naked bodies, while later works like The Chess Match (1925/30) capture the mood of the legendary Romanisches Café, a meeting place for artists and intellectuals in the German capital.
The exhibition Dog Days Bite Back brings together films and photographic works from recent years that address various dimensions of the climate crisis in all its economic, political, and social complexity and intertwine them with international climate justice movements. Ressler thus emphasizes that the effects of climate collapse that can now be felt across the world are linked to systemic failures in climate policy and a long overdue paradigm shift in global economic systems.
This comprehensive exhibition is the first presentation outside Ukraine to explore the development of modern art in the cultural centers of Kyiv, Lviv and Kharkiv during the first half of the 20th century. Modernism in Ukraine is revealed to be both international and avant-garde. From Jugendstil to Constructivism, the exhibition tells the tempestuous and fascinating history of cultural identity in Ukraine.
Bulgarian artist Nedko Solakov’s artistic intervention, A Cornered Solo Show #3, will not be on view in the prestigious galleries of the Upper Belvedere; instead, it can be found in an inconspicuous corner of the museum’s coatroom. In this transitional space between arrival and departure, Solakov engages visitors with the themes of his art and wittily involves them in an inner dialogue with his artistic conscience.
This exhibition is dedicated to three outstanding pioneers of the Renaissance north of the Alps: Hans Holbein the Elder, Hans Burgkmair and Albrecht Dürer. Experience fascinating works by these artists and explore how Augsburg became the birthplace of the Renaissance in the north.
This exhibition develops an aesthetics of the diverse that upends the ideality of classicist stylistic and formal strivings as well as the conception of the human being as one-dimensional, preferring to instead pursue the beauty of the grotesque, impure, and repressed while lending visibility to that which is marginalized, downcast, and divergent from the norm.
This permanent display starts off with such artists of Impressionism and Post-Impressionism as Degas, Cézanne, Toulouse-Lautrec, and Gauguin. Further highlights include examples of German Expressionism, with the groups of Brücke and Der Blaue Reiter, and the art of New Objectivity, with works by Wacker, Sedlacek, and Hofer. An in-depth focus on Austrian art comprises works by Kokoschka and paintings by Egger-Lienz. The great diversity of the Russian avant-garde is represented by paintings by Goncharova, Malevich, and Chagall.
Resources
/
/
Subscribe
to our latest posts
/
We are the leading independent website devoted to the visitors of the museums of Europe.
Copyright 2021 © All rights Reserved. Web Design by geekspired.com
Subscribe to our newsletter and be the first to receive exciting news directly to your inbox, exclusive updates, curated content, and special offers!